Verve

Surely there is no better number in which one can enjoy two tenor saxophones “with a big sound” (and by that one means a meaty, fat sound, loud and expressive yet melodious) than Maria.

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The trench warfare over the two very different playing styles of Lester Young and Coleman Hawkins came to an end with the date of this recording.

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"Electrifying evening" is not a typical critic's appraisal of time spent at a museum - even if it's the Museum of Modern Art in New York.

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On these sides there is no orchestra in the general sense of the term, yet Duke has found, on a more conventional instrument, a completely engaging means of personal expression.

Back to Back, like its compendium Side By Side, has The Duke teamed up with Johnny Hodges

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The album features well-known and previously unrecorded Strayhorn tunes that showcase his range, versatility, and, above all, the quality that Ellington admired him most for: his sensitivity to all of the timbral, tonal, and color possibilities an orchestra could bring to a piece of music.

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The dreams of the time of the last thirty years are reconstructed in this album, which I feel will have certain extramusical, autobiographical overtones for everybody who hears it.

Classic Records stereo edition reveals the First Lady of Song at her most intensely swinging and graceful level.

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In keeping with the stark simplicity of the film, Miss Fitzgerald's accompaniment was limited simply to a pianist, Paul Smith; and this album proves once again that Ella Fitzgerald is without peer when it comes to singing ballads, whether accompanied by the largest orchestra, or, in this case, the smallest.

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Ella proves her greatness by finding something new in such old favourites as Night and Day, I Love Paris and I Get A Kick Out Of You.

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Enjoy these classics in stunning fidelity with this pristine pressing. 

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Enjoy these classics in stunning fidelity with this pristine pressing. 

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