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A four-song (side A) sampler from Anthony Ortega’s highly regarded album
For years, the Concerto for Orchestra has been not only the most-played of Bartoks works, but also the most frequently performed among other contemporary scores.
You too can be "Back on the Scene" with Bennie Green
This Requiem calls for immense instrumental and vocal resources used not only for power but also for the most subtle and varied refinement of color.
The highest compliment one can pay Charlie, and it can be paid with complete assurance, is that this is one album they will really dig in Rio.
Recorded in 1962 by Rudy Van Gelder at the Englewood Cliffs studio...
There has been a plenitude of enthusiasts for the Count Basie band in recent years. For some the great attraction has been the saxophone section or the super-abundance of tenor soloists. For others it has been the brass sound, but however it comes out, and for whomever, the key word is usually that much overworked adjective, exciting.
One of the FIVE recordings the Basie Band made for its new label in 1959
This is Watkins on bass as leader of a band consisting of Duke Jordan on piano, Arthur Taylor on drums, Kenny Burrell on guitar, Donald Byrd on trumpet and Hank Mobley on tenor sax.
In 1965 Duke Ellington appeared at a concert with Arthur Fielder's Boston Pops Orchestra and a recording resulted.
The "Piano Player" in the Ellington band is a sometime thing. On the bandstand and the concert stage, Duke strides between the piano and the band.
Piano In The Background is the sister, albeit earlier, recording to Piano In The Foreground